Backstage

Mehhma Mahli and Fitz Happens

In this episode, we dive into Fitz Happens — a bold new initiative by New Ghosts Theatre Company designed to launch and raise funds for their Playwright Fund. This unique monologue showcase, part of the company’s Mainstage program, brings together five original 10-minute monologues inspired by the haunting theme: “Home is Where the Haunt Is.”

We explore how this project came to life, the creative risks involved, and the spirit of generosity that fuels it — from seasoned legends like Kate Mulvany, Louis Nowra, and Belinda Giblin, to emerging talents like Justin Li (making his Mainstage stage management debut) and Finlay Hogan (currently studying at NIDA while designing sound for the show).

Mehhma Malhi, director of Fitz Happens, returns to Sydney from New York with a rich background in philosophy, bioethics, and journalism. With degrees from NYU and Columbia University, we explore how her academic lens informs her directorial approach — especially in a project that grapples with themes of memory, identity, and home.

Gabrielle Scawthorn and Matilda Ridgeway and The Edit

In this episode of Backstage, Regina Botros speaks with Gabrielle Scawthorn, the writer and director of The Edit, and Matilda Ridgeway, one of its powerhouse performers.

The Edit, now on stage at Belvoir, is a sharp, provocative work born from Gabrielle’s deep dive into the world of reality television. Drawing on countless interviews, the play explores the blurred lines between truth and performance, and what happens when our lives become content.

Joseph Althouse in Whitefella Yella Tree

In this episode of Backstage, Regina Botros sits down with Joseph Althouse, the Pertame and Tiwi actor captivating audiences in the Sydney Theatre Company’s production of Whitefella Yella Tree by Dylan Van Den Berg.

Set in the early 19th century, Whitefella Yella Tree is a tender and devastating love story between two young Aboriginal men, Ty and Neddy, from neighbouring mobs. Meeting under the branches of a lemon tree, their romance blooms just as the colonial world begins to encroach on their lives. Joseph plays Ty, a young man learning to be his mob’s storyteller, navigating the tension between tradition, love, and the looming threat of colonisation.

 

Sydney Theatre Company: Wharf 1 Theatre, until 18 October 2025

Alex McClintock - 24 Hours in Kings Cross

Photographer Alex McClintock joins Regina Botros on Backstage to talk about his latest collaboration with audio documentarian Mike Williams: 24 Hours in Kings Cross, a genre-bending live documentary showing at Sydney Fringe Festival. Captured over a single sleepless day, the show is a gritty, glamorous tribute to Sydney’s infamous red-light district, blending McClintock’s evocative street photography with Williams’ immersive audio storytelling.

Together, they shine a spotlight on the misfits, lovers, drag queens, tattoo artists, and party-goers who make the Cross pulse with life. From sunrise to sunrise, this multimedia experience is a love letter to a suburb that never sleeps.

 

📍 24 Hours in Kings Cross runs from September 10–20 at Sean & Dolly’s, as part of the Sydney Fringe Festival 

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Mayu Iwasaki and The Face of Jizo

Regina Botros sits down with actor Mayu Iwasaki, who stars as Mitsue in The Face of Jizo at the Seymour Centre. This poignant play, written by Hisashi Inoue, explores the emotional aftermath of the Hiroshima bombing through the eyes of a young librarian and her father’s ghost.

Mayu shares her journey into producing this play and the role, plus the emotional weight of portraying a survivor.

Don't miss this one.

 

Nick Schlieper on Grief is a Thing with Feathers

In this episode, Regina Botros sits down with legendary lighting and set designer Nick Schlieper to explore the hauntingly beautiful world of Grief is the Thing with Feathers, now playing at Belvoir Theatre. Co-adapted by Schlieper alongside Simon Phillips and Toby Schmitz, this theatrical reimagining of Max Porter’s acclaimed verse novel dives deep into the surreal and poetic terrain of grief, memory, and transformation.

Nick shares insights into the creative process, the challenge of translation, and the character of Crow.

 

On at Belvoir Theatre.

Peter Evans Takes on Coriolanus

Peter Evans, Artistic Director of Bell Shakespeare, talks with Regina Botros about his new production of Coriolanus as well as, how he came to be the Artistic Director of the company.

One of Shakespeare’s least performed and most politically charged plays, it's staged at the Neilson Nutshell Theatre at Wharf 2/3—Bell Shakespeare’s home.

Evans has long been a driving force in Australian theatre, with a career spanning decades and stages across the country.

Come Backstage!

 

Jessica Arthur Talks Koreaboo

In this episode, Regina Botros speaks with Jessica Arthur, director and dramaturg of Koreaboo, a bold new work for Griffin Theatre Company. 

Currently the New Work Associate - Artist Development at Malthouse Theatre, Jess has held key creative roles at Sydney Theatre Company, including Resident Director (2019–2022), Directing Associate, and Richard Wherrett Fellow.

Her directing credits span Belvoir, Griffin, La Mama, Kings Cross Theatre, Old Fitz, Melbourne Theatre Company.

In this conversation, we dive into the making of Koreaboo, its cultural resonance, and Jess’s process of developing new work that speaks to contemporary audiences.

From The Dictionary of Lost Words to The Wolves, Jess’s career is a testament to innovation, collaboration, and the heart of storytelling.

Pamela Rabe on Beckett’s Happy Days

I’m joined by one of Australia’s most celebrated actors—Pamela Rabe. With a career spanning decades, Pamela has earned acclaim across stage and screen, and is also a respected stage director. Her versatility shines through in a wide range of genres—from musicals and comedies to powerful dramas.

You may have seen her in unforgettable productions such as:

• August: Osage County
• Seventeen
• The Cherry Orchard
• Cat on a Hot Tin Roof
• The Dance of Death
• My Fair Lady
• The Glass Menagerie
  ...and so many more.

She’s tackled the works of Shakespeare, Molière, Chekhov, Brecht, Noël Coward, Patrick White, and David Mamet—just to name a few.

Today, Pamela joins me to talk about her latest role as Winnie in Samuel Beckett’s Happy Days, now playing at the Sydney Theatre Company. It’s a demanding and iconic role, and we’ll dive into what it means to bring Beckett’s vision to life on stage.

Reginabotros.com

 

Alex Berlage - Women on the Verge of a Nervous Breakdown

In this colourful episode, Regina Botros is joined by the talented Alexander Berlage, the award-winning director and lighting designer, to dive into his dazzling new production of Women on the Verge of a Nervous Breakdown at the Hayes Theatre.

How do you take a cult Almodóvar classic and reimagine it for the stage? Alex shares the creative journey behind bringing this bold, emotional, and hilariously chaotic story to life. From navigating the musical’s tone to crafting a visual world that captures the spirit of 1980s Madrid, this conversation is a must-listen.

🎭 Alexander Berlage has made a name for himself as one of Australia’s most exciting theatrical talents. With back-to-back Sydney Theatre Awards for Best Direction of a Musical (American Psycho and Cry-Baby), and a 2023 win for Best Direction of an Independent Production (A Streetcar Named Desire), his work continues to push boundaries and captivate audiences.

Tune in to hear how Alexander and his team bring passion, precision, and a touch of madness to the stage in this unforgettable production.